Monday, 10 March 2025

Final Promotional Package


This is our final promotional package, or final result of comp 3. 

MUSIC VIDEO

Google Drive: https://drive.google.com/file/d/1HKQ4jBWa2GNQWsA33JAppQObh0Xi9ex5/view?usp=drivesdk
DIGIPAK
FRONT COVER


INSIDE LEFT


INSIDE RIGHT


REVERSE COVER AND SPINE (DOTTED LINES FOR REFERENCE OF BORDER ONLY)


INSIDE (MOCK UP BY CARRICK)


SOCIAL MEDIA
Here is our link to the social media account (Instagram) - https://www.instagram.com/official.jmuse/



Audience engagement on this post - https://www.instagram.com/p/DHD30IVpOPn/


Audience engagement on this post - https://www.instagram.com/p/DHD4e6hpjm5/ 

Final Self-Reflection

 This is my final critical self-reflection. 

The Component 3 project required my team to create a cover music video of an existing song to promote an artist of our choice. To achieve this, we researched various music genres, analyzing their visual styles, rhythms, and musical and technical elements. We decided to proceed with R&B, a genre known for its soulful singing, steady beats, and themes of love, friendship, and personal struggles. After exploring different R&B songs, we selected Bruno Mars’ “Leave The Door Open”. To bring our vision to life, we conducted a screen test and selected Jaden as our artist, branding him as J Muse a cool, chill, semi-romantic, and down-to-earth persona. Our goal is for the dominant reading of the music video to highlight J Muse's love life and struggles while reinforcing his effortlessly cool and charismatic persona.

Branding creates an identity in media, allowing audiences to associate it with specific messages, values, and emotions. In our music video, branding is achieved through visual storytelling, visual consistency, and character portrayal. Since “Leave The Door Open” conveys romance, we enhanced this by incorporating warm lighting (yellow, orange, and red tones) to emphasize intimacy and passion (Fig.1). J Muse's persona is cool, chill, romantic, and down-to-earth, but we also aim to make him relatable. Instead of presenting him as a flawless "lover boy" who always wins in love, we show him experiencing real heartbreak. To reinforce this human aspect, we filmed in natural settings, the beach, trees, fresh air, and the sunset, symbolizing reflection and healing. His emotional struggles are depicted through dim lighting, alcohol as a symbol of escapism, and a transition to nature as a metaphor for personal healing (Fig.2). By combining storyline, visuals, and performance, we ensure J Muse’s branding remains consistent, presenting him as a real, emotionally complex artist rather than an idealized pop star.

In the R&B genre, music videos typically include relaxing and cool stylization visually, actors present themselves as slick and smooth we conform to by using warm lighting and dressing the Star with beach vibes and breathable costumes to show that relaxation, no intense formalities (Fig.3). Camera movements in R&B are often smooth and slow cinematography, intimate storytelling, and themes of love or emotional depth. We often framed J Muse in close-ups and mid-shots to capture his emotions, making his heartbreak or feelings more personal and engaging - this builds emotional depth within the music video. Instead of portraying J Muse, our star, as a charismatic and dominant lover which is common in R&B, we show heartbreak, rejection, and emotional struggle, subverting from the hyper-masculine portrayals in the genre. We also used darker tones and rainy/cloudy weather in some scenes which is an element that is uncommon in R&B visuals, we did this to reinforce J Muse’s emotional feelings (Fig.4). We also went for natural locations (beach, trees, fresh air) rather than luxurious urban settings, to make J Muse more relatable, as people typically go to nature for leisure or healing.

A digipak is a physical album cover and packaging that visually represents an artist's brand, persona, and music style. We must ensure our digipak is aligned with R&B genre conventions, so we analyzed a couple of existing R&B digipaks from artists like Bruno Mars, The Weeknd, Ne-Yo, and a few more. We used serif fonts for the album title and tracklist so that we kept a classic and stylish appeal that most R&B digipaks have. We’ve seen many artists use their face as the digipak’s cover, so we featured a close-up of J Muse’s face, to build an emotional connection. We tried to maintain a consistent brand identity with the digipak’s color palette matching the music video, this conforms to the R&B genre, and we did this not to confuse the audience with our branding. While most R&B digipaks use studio-shot images and dark aesthetics, we subverted by using natural elements (beach background) to reflect J Muse’s laid-back, down-to-earth type of guy. J Muse acts chill, giving a more relaxed pose over the serious look typical in R&B (fig.5).

Music videos can reflect or challenge social groups and issues, shaping how audiences interpret emotions, relationships, and identity when watching the video. Our music video focuses on teen experiences, love struggles, romantic relationships, happiness, and personal desires, making it highly relatable to young audiences. In traditional R&B music videos, male artists are often portrayed as charismatic, confident lovers who are either in control of their relationships or deeply heartbroken in an overly dramatic way. These videos often show over-the-top romantic gestures, luxurious lifestyles, and emotionally intense breakups, making love appear either idealized or excessively painful. My team and I aimed to represent love and heartbreak more realistically, while still maintaining J Muse’s cool and admirable persona. Instead of portraying him as helpless or excessively emotional, we ensured he remained relatable, like going out for a walk to cope, allowing audiences to empathize or sympathize with him rather than pity him. The star’s acting plays a big role in representing what we wanted, J Muse expresses subtle, natural emotions rather than exaggerated sadness (Fig.6). The mise-en-scene and setting locations were a casual restaurant and the beach, this reflects an everyday love story, making his experience feel authentic and familiar to the audience. We played a lot with lighting during production/filming, we show a shift from warm tones (happiness, romance) to dim, shadowy lighting that helps visually mirror his emotional transition in such a subtle but noticeable way. 

Social media was a great tool for us to engage with the audience, and to develop J Muse’s brand identity beyond the music video. By using a social media platform, like Instagram, we provide fans with exclusive, private, content, like J Muse’s personal life (friends, family, holidays), it’ll strengthen the audience's connection to the artist. We posted candid, less professional photos, to make him relatable, showing moments from day-to-day life that fans can connect and were familiar with. We also posted behind-the-scenes content, showing insight into the music video production and the process of hard work put into making his music video, which makes him look more human rather than like a miracle(Fig.7)(Fig,8). Uses & Gratifications Theory explains why people use media to meet their needs, we believe people want to watch J Muse for personal Identity because fans relate to J Muse’s romantic struggles & chill personality so they idolize and try to be like him by watching his content. Entertainment, there are a few engaging visual content, smooth aesthetics, and also entertaining/comedic content to keep the audience invested. We used CapCut and PowerPoint to design and edit posts to be uploaded on J Muse’s social media. By combining social media and technology, we were able to keep J Muse’s brand consistent, and additionally, engaging to the audience. 

This project really gave me a deeper understanding of branding and media representation, showing me how visuals and storytelling can completely transform an artist’s identity. Watching Jaden take on the persona of J Muse reinforced how branding influences audience perception, people don’t just see the artist, they see the version that’s being designed for them. Throughout this process, I learned the importance of attention to small details, especially in lighting, mise-en-scene, and camera work, as these elements shape how emotions and context are represented, which successfully transformed Jaden to J Muse. Overall, this project was a valuable experimental and creative experience. 

This is the link to the of the essay in PDF form: PDF

(Fig 1)

(Fig.2)

(Fig.3)

PDF Version

(Fig.4)

(Fig.5)

(Fig.6)

(Fig.7)

(Fig,8)


Monday, 17 February 2025

Post Production - Editing

Here is the development of the editing stage - completed by Me

I used Google Drive to store all the footage that was filmed using my Leica smartphone camera. I used movie ratio during filming directly so that I won't have to add an effect or change the ratio later on during editing.













I'm using Capcut to edit the Music Video (MV). Capcut offers many premade effects and editing tools. It's very easy to use, easy to learn, and practical. I have been using CapCut for almost 2 recent years, so I'm fairly good at it and still familiar with it. I have bought CapCut Pro which gives me access to more features and effects that I normally couldn't use with normal CapCut. So, with this membership, I'm hoping I'll finish things much more smoothly and without hindrance like the limitations of normal CapCut. I will be using my computer to edit on CapCut. 

Here is the overall timeline of the project in CapCut computer. 

















SIGNIFICANT EDITING CHOICES AND METHODS

The Intro will have an opening title of the song, I used a text element and animated it for the title introduction: 














The title serves to give context to the audience. 

I changed the text's color to match the branding and overall lighting.






I chose a color that compliments the background lighting and scenery. It is important to make it visually appealing so that the audience doesn't feel odd or get distracted by it leading to not being able to focus on the content. 


I use filters to color grade the footage for better quality and make it more cinematic. 

The highlighted elements are the filters:

Color grading is a very important aspect of editing as it creates meaning and stories in the media. I could make the music video seem horror and scary with dark color grading, or enunciate certain colors to create the branding of the video. As for our music video featuring J Muse covering "Leave The Door Open" I go with a filter that matches the persona of J Muse which is laid back, cool, and down-to-earth, which is why I picked a filter that enunciates the warm colors like yellow and orange, as well as ones that compliments the lighting of the footage. 


I used markers to symbolize the beats of the music/audio. It helped me with matching the timing of footage cuts and transitions. 

The audio is at the bottom, the color is blue, and the markers are on top of the audio, the color is light blue:










I use jump cut, decided on that during editing, for this scene.








example 1










example 2








I matched the cuts based on the music's beat so that it looks smooth and not messy which is disturbing for the audience. These jump cuts were placed during a very energetic part of the music, so it suits well and creates a visual appeal or eye candy for the audience. 


MINOR EDITING CHOICES AND METHODS

I used special effects to give a dreamy look on the artist's face during part of the song where the lyrics talk about being clean-shaven.

























This makes the visual more impactful and engages the audience more with the song and music video, as it immerses them better with special visual effects. 


I edited the speed of the footage to give a slow-mo effect on J Muse's expression.





I slow down his facial expression to really show and strengthen the emotion. It was right when he was blinking and looking out of the window. Simple, subtle change that really makes a difference on the mood and audience engagement and perception.


Reflection:
I'm very happy to do this job as video editing has been a passion of mine since I was young. I have been editing for the team since our first project which the documentary project. I'm still using CapCut because I'm familiar with it, however, I plan to learn Adobe Premier and After Effects which are the professional tools of video editing. I had to use my computer because the project's file is very big, and the need to frequently upload and download big files and projects is such a time waster and hassle if done on mobile phones or tablets, which is why I'm sticking to working on a computer, and because of I don't have a laptop. It would've been nice if I had a laptop with me because I would be able to work during class at school, since I'm using my PC I have to be at home to work on the editing. I don't really mind because working on the computer is a lot easier for me. The editing process took me about a few weeks to finish, but around 10 effective hours to actually edit it. It took weeks to finish due to some scenes hadn't been filmed at that time, and also because of some revisions we did on the storyboard due to some filming places being shut down or closed by the government, and faulty camera equipment. Fortunately, we were able to finish all the necessary or important scenes last minute, and I edited the whole music video hours before the deadline. Good thing I'm pretty used to editing under pressure and pretty passionate about the work.




Audience Feedback

This post explains how we showed a rough draft of our music video, album cover, and social media page to some members of our target audience in order to receive helpful feedback. We were told to receive 4 responses to our feedback form - completed by Me, Carrick, Kaka, and Jaden

The purpose of a screen test is to gain audience feedback about our work and see if their are any improvements that can be made. We decided to use Microsoft Forms to create a survey to share with our audience because we want to be able to improve our media product for the intended audience Here are our questions: 

SECTION 1: GENERAL FEEDBACK
1. How do you think J MUSE appeals to you? What characteristics does he exhibit which makes him likable or relatable?

2. What can J MUSE do more of to interact and engage with you (the audience) on a personal level?

3. What other genres would you like to see J MUSE to explore?

SECTION 2: SOCIAL MEDIA FEEDBACK
4. What would you like to see frequently on J MUSE's social media page?

5. What content would you like to see occasionally on J MUSE's social media page?

6. How frequently would you like J MUSE to post on his social media page?

7. Who would you like to see J MUSE engage in a collaboration with?

SECTION 3: DIGIPAK AND ALBUM FEEDBACK
8. What are your impressions on the Digipak of J MUSE's latest album?

9. What do you think can be added or removed to ensure a high quality product for you (the audience)?

10. Would you buy the Digipak?

11. Tell us what you think of the other song names in this album?

SECTION 4: MUSIC VIDEO FEEDBACK
12. What aspects of the original music video did you like or dislike?

13. What did you understand regarding the plot or storyline?

14. What kind of feeling/vibe did you feel throughout our music video? In the beginning, at the end, or generally. Did you enjoy it?

15. What kind of ‘feeling’/’vibe’ do you want to feel or be captured by the end of the video? (i.e. Melancholy, funky, upbeat, edgy, etc…)

We chose these questions because we believe they were necessary in order to provide a higher quality media product. We included members of our target demographic in the screen test to ensure that the feedback we receive is appropriate. Finding people for the screen test was easy because we go to school with the same people who match our demographics and psychographics. Here are the drafts that we showed audiences for the screen test: 

VIDEO SCREENSHOTS

DIGIPAK DRAFT

SOCIAL MEDIA SCREENSHOT

Here are the responses:

SECTION 1: GENERAL FEEDBACK
1. How do you think J MUSE appeals to you? What characteristics does he exhibit which makes him likable or relatable?
Respondent 1: He haven't see him personally or in an image. But I do think that he will be extremely good looking as a music artist.
Respondent 2: He’s confidence and charizzma, he is confident in how he feels and looks.
Respondent 3:
Respondent 4:

2. What can J MUSE do more of to interact and engage with you (the audience) on a personal level?
Respondent 1: Do a livestream on Instagram daily for his fans to engage personally with him.
Respondent 2: Not much tbh 
Respondent 3:
Respondent 4:

3. What other genres would you like to see J MUSE to explore?
Respondent 1: Jazz
Respondent 2: K-POP jawa metal and koplo
Respondent 3:
Respondent 4:

SECTION 2: SOCIAL MEDIA FEEDBACK
4. What would you like to see frequently on J MUSE's social media page?
Respondent 1: J Muse flexing his muscles.
Respondent 2: Comedy
Respondent 3:
Respondent 4:

5. What content would you like to see occasionally on J MUSE's social media page?
Respondent 1: A day in my life as J MUSE.
Respondent 2: Comedy
Respondent 3:
Respondent 4:

6. How frequently would you like J MUSE to post on his social media page?
Respondent 1: Everyday if possible
Respondent 2: Comedy
Respondent 3:
Respondent 4:

7. Who would you like to see J MUSE engage in a collaboration with?
Respondent 1: Bruno Mars
Respondent 2: Uncle Roger
Respondent 3:
Respondent 4:

SECTION 3: DIGIPAK AND ALBUM FEEDBACK
8. What are your impressions on the Digipak of J MUSE's latest album?
Respondent 1:It's very interesting and appealing for young teens especially for those who are into R&B music.
Respondent 2: Very sigma alpha male
Respondent 3:
Respondent 4:

9. What do you think can be added or removed to ensure a high quality product for you (the audience)?
Respondent 1: Nothing. It's perfect already
Respondent 2: Maybe the outfits could be better
Respondent 3:
Respondent 4:

10. Would you buy the Digipak?
Respondent 1: No, because I don't know who is J Muse?
Respondent 2: Sure
Respondent 3:
Respondent 4:

11. Tell us what you think of the other song names in this album?
Respondent 1: I don't know what to say about this.
Respondent 2: Kind of to basic, I mean THERES nothing wrong with it, it’s just not appealing ykwim?
Respondent 3:
Respondent 4:

SECTION 4: MUSIC VIDEO FEEDBACK
12. What aspects of the original music video did you like or dislike?
Respondent 1: It's gives off an relaxing and chill vibe to the audience. Although, it may seem boring for some audience since the MV is only located in one setting.
Respondent 2: I didn’t watch the music video because Jaden didn’t give any music video link or sum…. But he sent screenshots and in my opinion I guess it’s pretty good for starters like you guys or students like yall. I would give it a 6.7/10
Respondent 3:
Respondent 4:

13. What did you understand regarding the plot or storyline?
Respondent 1: Nothing. They're just singing in a studio.
Respondent 2: i can’t really say anything on this
Respondent 3:
Respondent 4:

14. What kind of feeling/vibe did you feel throughout our music video? In the beginning, at the end, or generally. Did you enjoy it?
Respondent 1: Relaxing and chill sensation
Respondent 2: Funny
Respondent 3:
Respondent 4:

15. What kind of ‘feeling’/’vibe’ do you want to feel or be captured by the end of the video? (i.e. Melancholy, funky, upbeat, edgy, etc…)
Respondent 1: J Muse relaxing on a beach with a stunning sunset.
Respondent 2: Funny and happy
Respondent 3:
Respondent 4:

From the feedback (or lack thereof), we learnt that it is important to promote J MUSE by having him engage with his audience and start to build a base of support. Regarding the digipak, we found that it was well received by the audience, but that nobody would want to purchase it. The audience really want to see more of J MUSE on his social media, posting daily content and even some very interesting and personal images and stories about J MUSE. We also found that the music video feedback is in sync with what we want to portray to the audience, however the storyline is pretty vague and unclear to the audience. This is something we need to work on together and change to ensure that the audience is given the highest possible quality media products. We want to make sure that people will not just like J MUSE's digipak, but also splash out to actually go out and purchase it. 

One other major thing we learnt through seeking feedback is that people are not too keen on providing us with feedback. Our form was sent out to multiple people but only two responded. This tells us that we have not done a very good job at promoting J MUSE to our targeted and intended audience. This is something we must work on and seek advice regarding. One thing we thought of together was to learn from the errors of previous artists and adopt their way of thinking, rather than walking into this blindly. Something we considered was hiring a social media manager to help promote our artist. However, this idea was short lived after we found out how much it would actually cost to hire a social media manager through LinkedIn. So we decided to learn from open source websites that had this information such as the following which had a really simple nine step plan: https://soundcharts.com/blog/how-to-promote-music-social-media.With regard to the digipak, not much information was shared with us so we had to again turn to research to help us get a better idea. One such place we turned to for analysis that would give us the right feedback is this link here, which showcases a R&B digipak and analysis which we learnt that handwritten style of writing is preferable and used. We hope that this would help us get a better understanding in the direction we should be going given the lack of responses to our survey. https://04whitalic.wixsite.com/alicewhitemusicvideo/digipak-analysis

What we intend to do is to take into consideration the feedback we received from our two respondents and apply it to the nine steps. Of course as we mentioned previously, we intend to change details regarding the storyline of the music video, the posts and frequency of posts on our social media page for J MUSE, and create a strategy that would introduce, promote, and energise a base of support for J MUSE and his music. Once we are able to do that, we will be able to come back with even more feedback to ensure that we can produce a high quality media product that will be popular among our target audience. 

Since we didn't have a music video draft, we had to make do with screenshots. This was a useful part of our process because it allowed our audience to have a sneak peek at what is ahead and ensure that we get the feedback we need most to help us with the editing process. So far we are not satisfied with the result of our attempt at getting feedback. However, we have already discussed and implemented some very vital and key steps to get J MUSE's name out there for the world to see. The research we did helped a lot because we weren't able to get many responses from the survey so we had to look elsewhere for information that would steer us on the right track. 

Reflection:
I was in charge with social media management, I had to create a valid and proper Instagram account. I created a gmail specifically for our artist. We actually use the social media page to introduce J Muse to the audience for feedback/reactions, because we didn't have the finished product or mv yet. It was surprisingly hard for the team to find people to give feedbacks on J Muse. It was frustrating because the simple task came across the team very messily and so many miscommunication happened due to lack of chemistry between some team members on working as one productive team. 

Digipak Research and Development






This is the digipack research and development written by Carrick and Jaden

Research - Digipak Dimensions
Before researching into digipak covers, we first needed to know the dimensions of the digipak. This was to ensure that we get the dimensions right so that there wouldn't be any awkward gaps or missing areas in the digipak. Below is a diagram I took off the internet that I used to learn this information.


Research - Digipak Cover
Here is the research conducted on behalf of the group with regard to digipak covers of male R&B artists because our artist is a male R&B singer covering the R&B song "Leave the Door Open" by Bruno Mars. The following diagram showcases the digipak covers we found interesting and that may follow and match the mood, vibe, and aesthetic of a teenager who is a hopeless romantic. 


Each digipak cover shows the star's face and the top part of their torsos in one form or another which take up a great portion of the middle of the digipak cover, with Bruno Mars' Doo-wops and Hooligans (middle top row) digipak cover being the only one to subvert that, showing Bruno as a very small silhouette following the path of a rocket. Most of the digipak covers do not have the artist cover the text or vice-versa but rather the text is next to the artist, with The Weeknd's Starboy digipak cover (top right) being the only exception to this rule. Two other digipak covers (bottom right) also subvert the convention by not even using text but rather using the artist (The Weeknd) as a means of describing the album contents through his facial expressions and picture colouring which suggest a sinister motive in the mind of the artist. 

The digipak covers that really stood out to us were the ones featuring Sam Cooke (bottom left) which depict him as a cheerful happy-go-lucky person which really fits the persona of our artist who is a hopeless romantic looking for love. The other digipak covers have a more serious facial expression which make them all look like they're on a mission to complete something or are determined to get their own way by how they're dressed. Dark colouring and also seems to be a theme in these digipak covers as it sets the mood of the album. The text and typeface seem to send a message too as most if not all use a serif font which creates a certain appeal which allows audiences to identify the artist. 

Out of the 15 digipak covers shown here, we decided to research four of them in more in .

Doo-waps and Hooligans - Bruno Mars

Camera angles: an extreme long shot of Bruno at the beginning of the path created by the rocket’s smoke.

Mise-en-scene: Bruno looks to be wearing a fedora hat and from the back vaguely resembles a suit, which suggests that he feels optimistic about this adventure. His walking posture is looking up with the hands being forward implying walking, with his head looking forward to the end of the path, which shows that he is preparing for what seems like a big uphill adventure.

The meaning created is that Bruno Mars has a very fancy yet adventurous personality, that his album will make the audience feel as though it is very adventurous and “high-flying”.

The imagery reflects Bruno Mars’ very smooth, sophisticated, street-like personality with his fedora and suit, free and charismatic personality.

Bruno does have a logo, however it's not very consistent and can vary in font, shape, and color. The album cover has influenced us because of its minimalist art style and the idea/concept of the album. 

Starboy - The Weeknd

Cover
Camera: Medium shot of the guy, with text behind him
Mise-en-scene: He has a very dark blue color which is very monochromatic, in which the contrast is very very low, he is very masculine, does a very mysterious, cool, seemingly defensive and protective pose, and has a cross symbol necklace. He stares directly at the camera.

Insides/CD
Camera: Long/Medium shot of the cross and lightning
Mise-en-scene: A purely red background along with yellow cross and two lightning bolts by the side of both. The whole thing has pure colors, yellow and red, no shading or gradient whatsoever.

The medium camera angle is used to show and focus on the pose of the artist, which is actually a pretty symbolic pose of some for of defense or detachment of some sort, combined with the very dark blue hue adjusted for the singer, suggest some kind of serious or melancholy or emotional reasoning for said defense or detachment. The man is wearing a dark leather jacket that also reflects his masculine physique, which shows masculinity and strength. However, he is also wearing a cross necklace which is commonly used by rappers, singers, and sinners. Those two combined show the meaning that the person and his album is being strong, materialistically and physically. He is also edited to be posing in front of the title. 

This hasn't really inspired us all that much but the facial expression is something to consider because it seems to be consistent with other digipak covers we've looked at on the internet. 

Neyo

Camera: Close-up of his face with slight low angle and tilted, and the background purely focuses on Neyo. The background text is blurred.

Mise-en-scene: The background resembles a black chalkboard with various white writing with hand-written style/font, likely using white chalk. Wears a fedora that’s tilted downward, earrings, blue jacket with a white outer collar. His presentation is that he looks at the audience, but with a chill, looking-down, slanted head. The lighting is soft and spread out, which makes a warm and close atmosphere. On the left side of the album cover, there is an image of binder holes of a piece of paper/note. 

Well-dressed, young male, earrings, tilted hat, white tops under his formal shirt. Head leaning to the other side. 

Meaning(s): The close-up of his face brings focus and attention to his emotions and builds the personal connection with the audience looking at him. The angle of the face too being tilted and low gives a little more dynamic to his expression, as the tilted adds some mystery and deep introspection but the low angle makes him feel a lot more confident and belief in himself. The blurred background with focus on Neyo’s face & and hand-written dialogue.

This hasn't really inspired us all that much but the facial expression is something to consider because it seems to be consistent with other digipak covers we've looked at on the internet. 

Sam Cooke

Technical Elements

Camera: Close-up shot of Sam Cooke’s face, slightly tilted. The angle is straight on, and the framing tries to focus on his warm expression & direct gaze.
Mise-En-Scene: The lighting is soft and natural, which highlights his smooth skin. Background is a soft blue sky with white clouds. He is wearing a button-down shirt, simple and casual. He wears a warm smile, and the “Sam Cooke” is written in bold orange-red letter with a more vintage feel, whilst “The Unforgettable” is in a smaller purple serif font.

Meaning Created by These Elements


The Close-up shot and direct eyesight of Sam Cooke create an intimate feeling that makes it feel as though Sam is trying to connect with the listener on a personal level. The blue sky background has connotations of timelessness and purity. Him wearing casual clothing along with warm lightning to support it makes him more approachable, humble, and seem down-to-earth or real.

How does the Imagery reflect the star’s persona?
The imagery reinforces his symbol of charm & warmth. His positive smile and relaxing posture gives an uplifting one. The natural setting (sky and cloud) suggests his music’s themes and vibe are universal, which cements his status.

Does the artist have a logo? Is it consistent with their other media?

The album features the RCA Victor logo, which is quite consistent with Sam Cooke’s other releases under his label. On the flip side though, he did not have a personal logo (compared to artists of a later time with more unique branding). Simply put, just his image & name alone would serve as his most recognizable way of identifying him. The style of typography still has that classic, elegant feel that other Cooke’s albums have.


How has the album cover influenced you?

The warmth & simplicity of the cover make it so it seems like the person of focus (Sam Cooke) seems to have an aura worth listening to, which fits the chill, down-to-earth vibe of our Bruno-Mars-inspired persona, ‘Jay Muse’. What adds to this is the inviting expressions and smiles provides an impression that his music will lift the audience up, touch their hearts, and soothe them, further reinforcing the persona.

Research - Digipak CompactDisc (CD)
The following diagram showcases the digipak CompactDiscs (CDs) we found interesting and that follow and match the mood, vibe, and aesthetic of a teenager who is a hopeless romantic. 


Each CD design matches the colour schemes and themes of the digipak cover. It includes either a branding symbol and/or font or the artist's name and the song. Pretty dull and simple which we're all a fan of.

Research - Digipak Reverse
The following diagram showcases the digipak reverse covers we found interesting and that follow and match the mood, vibe, and aesthetic of a teenager who is a hopeless romantic. 


The majority of these reverse covers share the same common elements, that is that they all match their front covers, they include a list of songs, all have a barcode, and they all have some sort of copyright and legal jargon on them. The only differences I can see is that some of them have a picture of the artist which we find interesting. 

Development
The following is a rough sketch of our planned digipak which will consist of a cover, tracklist, CD, back cover, and barcode.


Tracklist
Most of these song names we came up with on the fly. Here are a list of suggestions for song names. We will only choose around 5-10 of them that we'll use for our digipak.
  • Looking for Love
  • Leave the Door Open
  • Somebody Save Me From Love
  • I'm Lonely
  • Love, From J
  • No More, I'm in Love
  • Why Darling?
  • Who's Jack?
  • I Will Write
  • Call Me
  • Losing Hope
  • Love Hates Me
Of course, we picked "Leave the Door Open" as it is the main song we are doing the music video for. 
The ones we highlighted in blue are the other song titles that will be included. To our knowledge, there aren't any songs that we know of that have the same titles as these. 

Album Name
Most of these album names we came up with in 5 minutes of thinking. Here are a list of ideas.
  • Looking for Love
  • Leave the Door Open
  • I'm Lonely
  • From J
  • Why Darling?
  • You
We picked "Looking for Love" because it seems to perfectly encapsulate the persona of JMUSE which is a hopeless romantic looking for love as well as how it summarises all the songs into just three words. It also helps that it is the name of one of the songs on the tracklist too. 

Our teacher also gave us feedback regarding our album name and he said it has to be the same song we are making the music video for so that's why we changed it to "Leave the Door Open". We did all the work below this with our original ideas before we got this feedback from our teacher. 

Digipak Cover


Here are some fonts that we looked at for the album name. We used serif fonts because that's the convention of the genre we looked at. Ultimately we couldn't decide on which font to use so we decided to have a look at them on the digipak drafts. Here are a list of designs we came up with. 

Here are some drafts we did on Microsoft Powerpoint. After some long hard thinking and consideration we brought it down to just two typefaces: Sticky Sugary which is the serif font and Dharma Gothic E Heavy for the thicker font. We stuck with the navy coloured font because we believe it goes very well with the rest of the picture as well as the branding and person of JMUSE. In the bottom right you are able to see the logo of JMUSE in both Dharma Gothic E Heavy font which is part of JMUSE's branding. We experimented with the placement of all the text and came to the conclusion that the one with the green circle was the best one. 

Choice:

We chose this design because it fits JMUSE's persona of being a bit of a goofball, hopeless romantic, teenager just looking for love. His facial expression and clothing make it look like he really is trying hard to make an impression on someone he may find special to him. The background also is good as it is easy to integrate it into other parts of the digipak such as the reverse cover and the inside content. 

After having received feedback from our teacher, he said it does not conform with our branding of JMUSE and looks nothing like the music video, especially with the colours. We decided to standardise the font and use Sugary Dreams as the font. Our teacher also gave us the following rough draft to help give us a much better idea of where we should be in our digipak development.


Here are a line up of drafts we made for the new digipak.


Ultimately we made these changes because of how our previous design was not really all that good according to our teacher and did not conform with our genre conventions like we previously thought. We went with the first design as it emphasised the laidback and chill persona of JMUSE. This font is Sugary Dream and conforms with JMUSE's brand identity.


One thing I forgot to include in the drafts was the JMUSE logo which I corrected here. 

Tracklist
We decided to experiment with the typefaces a bit by just having a look at what Times New Roman would look like incorporated into this design. Our genre conventions tell us that there is no picture or illustration of the artist on this part of he digipak but rather it is either blank or has a tracklist which is what ours has. Below are a few drafts we made on PowerPoint.


We experimented with this design with the background of the photo of JMUSE. We decided to stick with the serif fonts for the tracklist after experimenting with a san-serif font and seeing it did not fit the genre conventions. 

Below is what we agreed upon as the tracklist.


We went with this one because it was easier to read.

Upon receiving feedback on our previous design, our teacher (as per stated above) also told us to revise our design because it does not fit with the artist's persona and branding. He gave us ideas such as to include a beach picture here. Another thing he said is that outline on text is bad graphic design.

Here are a line up of some drafts we made.


We picked this photo because it is in line with our teacher's feedback. The mise-en-scene of the couch conveys a sense of laid back and relaxation as well as luxury in that shade of green. 

Below is our final pick.




CD Cover
We made some mock ups of CD Covers that we believe conform to the genre conventions of an R&B digipak. Here are a few of those drafts we made on PowerPoint.

We went with the design encircled because of how the other ones looked. The highlighting of JMUSE's logo in white really stands out on the CD Cover and looks a lot better when the font is on the diametre of the CD rather than at the bottom or top of the CD. The colour fits the branding of JMUSE which is dark blue. 


Upon receiving feedback on our previous design, our teacher (as per stated above) also told us to revise our design because it does not fit with the artist's persona and branding. He gave us ideas such as to include a beach picture here. Another thing he said is that outline on text is bad graphic design.

Here ais what we came up with.


We used this image because it is the other half of the image cut in half used for the tracklist.

Reverse Cover
We didn't do this before getting feedback from our teacher so that's why there isn't a draft for a really poorly designed reverse cover. This time we really did conform to the R&B conventions of a digipak according to our teacher.


The reverse cover is the other half of the front cover. The dotted line is for reference only where the border of the spine and reverse cover is. We decided to go with the third option because it is the only design with the tracklist. 

Here is the final pick


Reflection:
I helped with the pictures and helping our which design looks good and whatnot, but ultimately Carrick and Jaden did a fantastic job with the design and photoshoot/photos. I'm very grateful for them, the digipack's finale result looks amazing in my opinion. I think it looks great for J Muse, and it really enunciates his persona, just what we're looking for!